Posts Tagged ‘Music industry’

What do a high school prom, a club in East St. Louis, and most of the cars going down the road with the music playing way too loudly have in common? All of them are just about certain to be playing mostly, if not exclusively, hip-hop. Since its humble beginnings in the 80s, hip-hop has come to be a defining force in American music and culture. It has gone from a marginalized, somewhat racially exclusive art-form to a mainstream, universal one. This fact is certainly positive on the surface, but it seems that the mainstream has changed hip-hop-not the other way around.

Hip-hop isn’t what it used to be. From its very beginning with artists like The Sugar Hill Gang and Grandmaster Flash to the glory days with such legendary artists as Tupac Shakur and Biggie Smalls, hip-hop has been about struggles, violence, poverty, social problems-real, hardcore issues that affect a lot of people in a big way. Hip-hop spoke to people’s needs, wants, and fears. It was relevant on a deep level. In “The Message,” Grandmaster Flash speaks about poverty and social problems. He talks about being “close to the edge,” a feeling a lot of people identified with in the 80s and still can today (Saddler). Tupac speaks of life and death in “Life Goes On” in which he wonders “how many brothers fell victim to the streets?” and “is there a heaven for a G?” He himself would fall victim to the streets only months after releasing the track (Shakur).

The message espoused by earlier hip-hop artists, though, does not exist in the mainstream today. Sometime in the late nineties, hip-hop started breaking into the mainstream, but had to conform to do so. Song titles like “God Bless the Dead” gave way to song titles like “Can’t Touch This” and “Get Low.” Modern artists like Lil Wayne, Ludacris, Drake, and Plies rap almost exclusively about either sex, how “hard” they are, or a combination of the two. In Drake’s “Headlines,” which reached the top ten on both the Billboard hip-hop chart and iTunes’ hip-hop section in 2011, he says that “the real is on the rise, f*** them other guys,” implying that he is more “real” than other rappers. He says the word “money” five times; the phrase “they know” thirty-one times; and ends four consecutive lines with the phrase “like that” at one point in the song, and ends three consecutive lines with the same phrase later. Not only is Drake’s lyrical skill lacking, but thematically, there is no message other than Drake being rich and “real” (Graham). Lil Wayne’s “She Will” is much the same, as it also climbed into both of the aforementioned top tens, and as it is equally empty lyrically. Weezy, as Lil Wayne refers to himself, does have some clever rhymes in the first verse:

Life on the edge, I’m dangling my feet

I tried to pay attention but attention paid me

Haters can’t see me, nose bleed seats

And today I went shopping and talk is still cheap

Beyond that, though, the track, which features Drake, deals with the profound issue of-you guessed it-casual sex, in a very distasteful and vulgar manner, not to mention the supposed fact that Lil Wayne and Drake are “the realest ni**as in the f***in’ game right now” (Carter).

via Thug Life Vs. Real Life: What’s Going on with American Hip-Hop – Yahoo! Voices – voices.yahoo.com.

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Interview: Pop MC Hazel-E Lays Down the ‘Girl Code’ – Yahoo! Voices – voices.yahoo.com.

Yahoo! Voices feature article Hazel-E

Hazel-E arrives at the 2012 Billboard Music Awards

Who’s popping up everywhere, not because she’s popping OUT everywhere, but just because her style, creativity and music are getting attention?! HAZEL-E, baby!

Coming seemingly out of nowhere, Hazel-E has really been in the mix on several different fronts of the entertainment industry for quite some time. Beginning on the business side of the music industry as a publicist, this intelligent Pop MC aka Valley Girl , is a complete package. Style, class, lyrics and a huge fun loving spirit that shows in her interviews, red carpet appearances at the Billboard Awards, BET Awards, etc., and if you haven’t seen the videos, you are missing something!

My conversation with the sensational Hazel-Ewas one of those direct and to the point moments between an artist and interviewer where the artist really has to think and the interviewer has to stay on top of the conversation in order to keep up! Quick witted, slick tongued and comfortable with herself, Hazel-E lets us have it bare bones and uncut.

I first became aware of this artist via record she did with one of the Texas hip hop legends, Slim Thug, the song was called “Strip” and was one of the singles she put out via Houston, TX record label Swisha House. She told me it is an “ode to the strippers of the world.”

Hazel-E indicated that her experience with her former label was “a positive learning experience.” “I enjoyed my time with Swisha House but the deal was limited and I am moving forward as an independent artist.” she continued.

Read my full Yahoo! Voices article here

 

Digital Music is Creating the New Music Industry Standard – Yahoo! Voices – voices.yahoo.com.

The Grammy Awards and RIAA Recognize the Impact of Digital Music Releases

Digital music is rapidly taking the place of hard-copy records/CDs and creating a totally revamped music industry. Music downloads have become increasingly important not only to artists, but major labels and monitoring agencies, as well.

Grammy Award winner Taylor Swift sets digital sales record

English: U.S. Country music singer Taylor Swif...

English: U.S. Country music singer Taylor Swift performing at Yahoo headquarters. (Photo credit: Wikipedia)

According to an August 22, 2012 report by Grammy.com, Taylor Swift recently set the record for the biggest digital sales week for a song by a female artist. Swift’s single “We Are Never Ever Getting Back Together” debuted atop Billboard’s Digital Songs chart, with more than 600,000 units sold online. In sharp contrast via the same report, Grammy.com detailed Hastings Entertainment‘s 11.6 percent decrease in retail music sales for the second quarter of 2012.

A music legend speaks

During a conversation with Chuck D of Public Enemy, he spoke to me about the creation of PE’s 2012 two-album set, indicating that, “These albums were spawned from the virtual studios of 14 production lab experts in sync from 8 different states in the USA.”

According to Chuck D, both “Most Of My Heroes STILL Don’t Appear on No Stamp ” and its companion album, titled “The Evil Empire Of Everything” will be digitally distributed to serve as the launch point for his digital record label SPITdigital, a joint venture with partner Gary G-Wiz. He and his partner hope to inspire other independent artist to form and become their own record labels, distributing their music online through SPITdigital channels.

Retail sales reports, Soundscan numbers and BDS reports are no longer the benchmark elements declaring success, in my experience. Digital activity is now heavily factored as part of the overall analysis. Often, digital sales are the main concentration of independent artists/labels.

Read my full article on Yahoo! Voices Music

Da' Hitman says: No Wack DJs AllowedAmong the current members of the Hip Hop DJ royal family is one of the South’s most prolific mixtape and touring masters of the mix and his name is…Da’ Hitman.  With multiple RIAA certified gold records and having hosted mixtapes for some of the new music elite, this Hip Hop celebrity mixer stays true to the real calling of the title. Da’ Hitman breaks records, gives artists the needed exposure to new fans and uses his radio platform as well as his social media presence like a true magician.

Music Industry changes have created a niche for DJs who specialize in the new version of the album…Mixtapes.  While there are several divisions of mixtapes, i.e. celebrity hosted compilations and single artist projects hosted by the mixing DJ, the overall effect is the same, Long Play (LP) albums are making a return albeit in a different format.

DJs who specialize in producing mixtapes and spinning live mixes to audiences are once again being considered music industry royalty.  Real DJs paying homage to the creators of the mix, cut and scratch elements of Hip Hop are now the one’s breaking records…again.

I was blessed to have Da’ Hitman carve out some time and give me one of the best interviews I have conducted with a Hip Hop personality in quite some time.

Who are your musical influences and why? As a DJ I give credit to Kool DJ Red Alert, Marley Marl, Funkmaster Flex – the DJs that kept me glued to a radio growing up.  I think I get my drive to be the first to break a record from their shows. They always broke new records and that was their draw (for me).  I would also have to mention Kid Kapri, Jazzy Jeff, Jam Master Jay and Scott La Rock

When did you know you wanted to be a DJ? Every since I was 14 years old.  The reaction I got as a kid making mixtapes and spinning house parties then graduating to youth center dances and finally club gigs.  It’s that reaction I get from hearing a dope record for the first time and the reaction I get from people when they hear my twists to a mix.

What prompted you to venture into Mixtapes?  I was doing weekly radio shows and gigs and it just seemed like an easy transition to simply record what I was already doing and venture into another medium.  I started in late 2009, then built it up in 2010, but I think 2011 was really a breakout year for me.  I have to give a lot of credit to DJ Ykcor for grooming me in the mixtape hustle.  He basically mentored me through quite a bit of it.

What is your favorite part of performing/touring?  The crowds.  I love showing up at a venue and seeing a line at the door and knowing my name is on the flyers and the marque.  The REAL joy is getting it in on them turntables and hearing/seeing the reaction.  If I had to pinpoint a specific favorite of touring – crowd reaction, hands down.

What can your fans expect on the album you are currently pushing?  The total package.  I won’t endorse an album/artist unless I feel they are bringing something unique to the game and can deliver not only dope wordplay and lyrical acrobatics, but the production has to be the same.  If anyone see’s me cosign an artist/album they can be assured the music is honestly dope, but just as important – unique.

Where is the one place in the world you would love to perform at and why?  I keep saying this over and over but it still hasn’t happened – BRAZIL! I have to gig in Brazil before I die.  Everything I see and hear about Brazil just screams good times and great memories.  If I’m going to have women flashing their tits at me in the booth – I would LOVE for those to be Brazilian women lol

Tell us about the best part of what you do?  I dig in crates weekly to find breaks, clips, samples, etc. then twist those gems into the mix under today’s music.  I actually mix and I’m fanatical about that.  It’s disgusting to me when I hit play on a so-called “mixtape” and there is no MIX.  I embrace music from both Indies and majors and roll them side-by-side.  Actual real DJ skills I think is really my identity.  When I do drop a mixtape I get it in with promoting the mixtape and I think that separates me from a lot of other DJs too.  A lot of DJs drop a mixtape and just spam it out over twitter and Facebook.  I post all of my mixtapes to more than 10 different mixtape sites, then push it out to blogs, ning sites, music related websites, e-zines/magazines, newspapers, and apparently forgotten by man – THE STREETS.  You have to get those mixtapes actually out in the streets to really reach an actual audience as opposed to a huge following of other DJs and artists on the social networking sites.

What do you think of today’s musical trends?  I think there is a shift brewing from all the trap music.  People are beginning to open up to a more musical sound and finally unique styles are standing out.  I think female artists are seriously on a push to really make a mark in 2012.  Kalenna, Guyana, Jazzy, Nikki Grier, Yenkho Aiko, Cocoa Sarai, Precious Paris, Kim Joyce…  I also think that the more lyrical artists are FINALLY accepting production that is current and allowing their lyrical gifts to reach a broader audience.

Any upcoming appearances?  March 5th premier of my Unique Styles Show on IceBreakerRadio.com with my co-host Kittie (from VH1′s “Lets Talk About Pep”), March 7th SWAC Basketball Tournament (Eclipse is performing at halftime of the 8pm game), SXSW, Core DJ Retreat (now called MixShowLive 2012) in May.

Any advice for upcoming artists?  Be prepared to put in the necessary work AFTER you finish recording.  Make sure your music is labeled properly.  Get yourself set up so that you can record drops and do mixtape hosting right from your home (this really only takes a cheap desktop Mic and plain old windows media sound recorder).  Once you have your single picked out – get a full DJ service pack prepared and have it available at a moment’s notice.  Never deny a DJ’s request to push a record from your album because you had picked out a different record to push as a single.  Let those DJs do what they do best – break your records.  Network, network, and network EFFECTIVELY.  Twitter works great if used effectively.  SPAMMING DJS YOUTUBE LINKS IS NOT EFFECTIVE!  Last but probably most important, when a DJ puts your music in the mix on radio, a mixtape, or in the clubs – PROMOTE IT HEAVY.  If your name and your music is driving feedback and requests or even simple comments and tweets, a DJ is a LOT more likely to keep you in the mix.  You are good for business for the DJ which is good for the business of breaking YOUR MUSIC.

Where can your fans find more info?  I’m constantly adding content to my website www.dahitman.com with new mixtapes, new music, album reviews, etc.  I’m usually pretty active on twitter too (@DAHITMAN).

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LA Weeklyby Nicholas Pell

Jeffrey Weber is the author of the recently-released You’ve Got A Deal: The Biggest Lies Of The Music Business.

Based in Beverly Hills, Weber is a longtime industry producer known for his work with Luther Vandross and Ronnie James Dio, and two of his projects won Grammys.

But after 30 years he’s left the corporate rat race to work directly with artists. With his new freedom Weber has decided to expose the more dubious aspects of the business. Here are his top ten record industry lies, pulled from his book. We talked to him about what exactly these lies mean.

10. “We love your stuff.”According to Weber, when producers say this, what they really mean is either: “I don’t know who you are,” “I listened to it and it’s not very good,” “I never got it” or “I didn’t listen to it.” It’s a white lie to spare artists’ feelings. Weber adds that a producer who has actually listened to your stuff will have a complex understanding of what works and what doesn’t. Those who haven’t listened tend toward vague praise.

9. “We’ll fix it in the mix.”

This really means “We’ll do our best to make you sound like an artist,” Weber says, which sounds to us something like “It’ll grow out” after a bad trip to the barber. The final product might be all right, but the recording is sub par.

8. “The booking is definite.”

What this really means, according to Weber, is that the booking agent doesn’t know who you are, is waiting for someone who’s going to be a better draw or — preferably — an audience that’s going to spend more on booze than yours. Remember that the clubs are in business to turn a profit, not to give your band exposure.

7. “It’s hot in the clubs.”

Rather than answering your question, a record company exec will supply you with a silver lining in the form of a non-sequitur. “It means you’re getting a lot of attention and buzz in clubs,” he says, but also that “no one has a clue about your record and no one’s buying it.”

6. “My last band had a record deal, but we broke up before recording an album.”

There are deals and there are deals. “When someone says you have a deal,” he says, “it means you have a deal until the next guy up the chain says ‘are you crazy?’” He’s also clear about the realities of the recording industry. “If marketing and promotions don’t believe in the record, there is no deal, regardless of what A&R says.” This pressure often causes bands to break up before a real deal gets signed.

Read the complete article on LAWEEKLY blogs: http://blogs.laweekly.com/westcoastsound/2012/02/record_industry_lies_jeffrey_weber.php

Post retrieved from LA Weekly Blogs (21 February 2012)

Reblogged from GetMyBuzzUp Music Site:

Click to visit the original post This is your official invitation to submit to Female Flow Mixtape Monthly Series Dates: Monday, February 6th - Wednesday, February 29th
Location: Online
Submissions Open: Mon Feb 6
Submissions Close: Wed Feb 29
Submission Fee: 0.00 Learn More Event Description:

Missy B & SwurvRadio bring you Female Flow, a monthly mixtape music series exposing some of the world's most talented and underrated females.

Read more… 210 more words

[caption id="" align="alignleft" width="240" caption="mixtape (Photo credit: miss_rogue)"]mixtape[/caption]

Female Flow Mixtapes

About This Opportunity

Missy B & SwurvRadio bring you Female Flow, a monthly mixtape music series exposing some of the world's most talented and underrated females. With a monthly cycle (no pun intended), we hope to expose your music to the masses. If you are a Female Artist, this is your chance to be included on an upcoming Female Flow mixtapes. Submit your best song or two right now because this campaign is only open for a 3 weeks. This mixtape series will be released online but some physical copies will be printed. Total overall selections: 16-20 tracks Total ReverbNation selections guaranteed: 8 tracks Prize Packages: Artists that are selected will be included on the short list to perform at a highly publicized show/concert in NYC with A&R, Press and other industry Executives in the audience. This event will be streamed live and showed on www.SwurvTV.com with front page placement on www.SwurvRadio.com How will this be promoted: on Facebook, Twitter, SwurvRadio, Myspace, SwurvTV. Any additional fees if selected: If you are chosen, there is a $50 fee to be placed on the mixtape. If you would also like to be on the cover, there is an additional $50 fee. There are plans for a Female Flow DVD, Live Shows & Interviews in the future.   Opportunity Overview No Fee to Submit! Genres Accepted: Rap, Hip Hop, R&B, Soul, DJ, Pop, Latin, Dance, Reggae, Live Music, Poetry Submissions Close: June 30, 2012  ReverbNation provides more than 2 million artists, managers, labels, venues, festivals/event/tour promoters and other music industry professionals with powerful, easy-to-use technology to promote and prosper online. Their wide array of distribution and promotional solutions provide the hands-on tools and actionable insights that allow them to reach their goals in an increasingly complex music industry. The company operates worldwide with customers on every continent. Over 30 million visitors come to ReverbNation.com every month.
Truly a legitimate opportunity for female artists across the globe to shine on a scale that will make this series one of those must have collections, like the Jazz Masters Collection!

Get It Done Ent., LLC

Article: Combined UMG+EMI Marketshare Right Now: 46%… by Paul Resnikoff.

This is HUGE information…how do two record labels gain control of 46% of the music market worldwide??!! This is a MUST READ for anyone who claims to be interested in the business side of things!

Jerry Doby

http://jdobypr.com

http://SwurvRadio.com

http://JointOne.com

This post retrieved from :

http://getitdoneblog.net/2011/12/23/article-combined-umgemi-marketshare-right-now-46-by-paul-resnikoff/comment-page-1/#comment-1727

Major Record Labels

How A Major Label Markets Emerging Artist In Today’s Industry.

By Minh D. Chau

Recently, ASCAP’s Daily Brief included an article by David F. Carr entitled, “How Warner Music Turns Social Media Fans Into Customers”.  I thought there was one paragraph in there that was extremely insightful that some readers may not have caught. It needed to be expounded upon. If you’ve always wondered how a major label goes about building a fanbase for a new artist – as far as their overarching philosophy on it – there it was!

The statement came from Eric Snowden, VP of Digital Creative and Technology at Atlantic Records (Warner Music). Here’s the paragraph:

The promotional strategy is also different for new artists than for established ones, Snowden said. “At the beginning of an artist’s career, we want to keep the barrier to entry very low,” he said, and that may mean publishing more free content and sharing it more widely. As an artist becomes more popular, “we ask a little bit more from fans and try to drive them to our own wholly owned properties more.”

For some reading this, it’s a “duh” kind-of-thing. But, I thought there are those out there for whom understanding this will help them become more clear in how to market their music. So the major label’s approach is two-fold:

  1. When you’re unknown, make it easy for people to engage (content is free, content is everywhere).
  2. When you become more popular, you can ask for more from people (content is paid, content is exclusive). (read more…)
Retrieved from: http://pluginin.wordpress.com/2011/11/01/how-a-major-label-markets-emerging-artist-in-todays-industry/#comment-263 (November 1, 2011)
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